Marina And The Diamonds Acoustic Album Download

Jump to Studio albums - Welsh singer and songwriter Marina and the Diamonds has released three. Released: 27 April 2012; Label: 679, Atlantic; Formats: CD, LP, digital download. 1, 32, 25, 50, 17, 1, 31, 41, 11, 31.

Listen to Handmade Heaven now: Follow MARINA The new album 'FROOT' is out now! The #1 Album ♡ 'Electra Heart' ♡ - Brand new Marina tour merch available. Start shopping here: Get ♡ 'Primadonna' ♡ on iTunes - LIES LYRICS YOU'RE NEVER GONNA LOVE SO WHAT'S THE USE WHAT'S THE POINT IN PLAYING A GAME YOU'RE GONNA LOSE WHAT'S THE POINT IN SAYING YOU LOVE ME LIKE A FRIEND? WHAT'S THE POINT IN SAYING 'IT'S NEVER GONNA END YOU'RE TOO PROUD TO SAY THAT YOU MADE A MISTAKE YOU'RE A COWARD 'TIL THE END I DON'T WANT TO ADMIT THAT WE'RE NOT GONNA FIT THAT I'M NOT THE TYPE THAT YOU LIKE SO WHY DON'T WE JUST PRETEND? LIES DON'T WANNA KNOW, DON'T WANNA KNOW I CANT LET YOU, CANT LET YOU GO I JUST WANT IT TO PERFECT TO BELIEVE IT'S ALL BEEN WORTH THE FIGHT LIES DON'T WANNA KNOW, DON'T WANNA KNOW YOU ONLY EVER TOUCH ME IN THE DARK ONLY IF WE'RE DRINKING CAN YOU SEE MY SPARK AND ONLY IN THE EVENING COULD YOU GIVE YOURSELF TO ME 'CAUSE THE NIGHT IS YOUR WOMEN AND SHE'LL SET YOU FREE YOU'RE TOO PROUD TO SAY THAT YOU MADE A MISTAKE YOU'RE A COWARD 'TIL THE END I DON'T WANT TO ADMIT THAT WE'RE NOT GONNA FIT THAT I'M NOT THE TYPE THAT YOU LIKE SO WHY DON'T WE JUST PRETEND?

LIES DON'T WANNA KNOW, DON'T WANNA KNOW I CANT LET YOU, CANT LET YOU GO I JUST WANT IT TO PERFECT TO BELIEVE IT'S ALL BEEN WORTH THE FIGHT LIES DON'T WANNA KNOW, DON'T WANNA KNOW L- I - E -S LIES DON'T WANNA KNOW, DON'T WANNA KNOW I CANT LET YOU, CANT LET YOU GO I JUST WANT IT TO PERFECT TO BELIEVE IT'S ALL BEEN WORTH THE FIGHT LIES DON'T WANNA KNOW, DON'T WANNA KNOW. Torrent treker filjm chelovek v shtatskom 1973.

Marina and the Diamonds, really just Marina Diamandis, was born in 1986 to Welsh and Greek parents, although she has often claimed to be from Ancient Greece. After dropping out of four different music courses at four different universities, she decided to make her own way in music, and began writing left-field pop songs. Early on, she claimed that her inspirations were Britney Spears and Gwen Stefani -- who she often covered at live gigs -- but her songs have a soulful edge pointing to a deeper source of influence. Diamandis' piano/keyboard-driven songs vary from melancholic ballads to out-and-out glam pop, but her voice and melodic style are what make her unique. Essentially a solo artist, Marina wrote the bulk of her early material alone, arranging it for a band to ensure her live shows carried the full energy of her studio recordings.

Quick to distance herself from comparisons to the rest of the female solo artists who broke through in 2009, Marina was also open about voicing her opinions on more established musical peers including Lily Allen and Kate Nash. In interviews she often showed a dislike of being grouped together with other emerging artists, especially when she had nothing in common with them except gender. The variety in her music made it hard to classify or pigeonhole, and comparisons were made with artists as diverse as Regina Spektor and Elvis Costello. Her first single, 'Obsessions/Mowgli's Road,' was issued by indie label Neon Gold in the U.S., also home to electro-indie Americans Passion Pit. It was followed later in 2009 by The Crown Jewels EP, which contained three new songs, including an electronic remix of fan favorite 'I Am Not a Robot.' After playing the British festival circuit during the summer of 2009, Marina briefly retired to the studio to polish her debut album, 2010's The Family Jewels, before quickly hitting the road again.

The album hit number five in the U.K., but made only a small splash throughout the world. Her second full-length studio outing, Electra Heart, was preceded by the singles 'Primadonna' and 'Radioactive.' It topped the charts in the U.K., led by a strong showing for the 'Primadonna' single, and also cracked the Top 40 in America. Diamandis' third album, 2015's Froot, was a radical departure in working style; instead of a large cast of producers, she co-produced the album with David Kosten (Brooke Fraser, Bat for Lashes) and wrote all the songs herself. While still packed with memorable, new wave-inflected pop hooks, Froot was a more personal and evocative production that showcased Diamandis' maturation as a performer. ~ Jack Semmence.